| | | | Electric Dreams
(1984) |
iles Harding (von Dohlen) is a bit of a nerd, an architect who is trying to invent "The Earthquake-Proof Brick".
A smart guy...
Well, almost. He's not great with computers. He's not really great at life, as it happens. So when one of his colleagues convinces him he needs 'organizing', he buys himself a computer, connects it to all the gadgets in his house, and like all good computer geeks, sets about running his entire house from the comfort of his swivel chair.
All goes well, until he accidentally overloads the computer with data from his office mainframe. Trying to put out the fire, he spills champagne over the keyboard. There's some violent interaction between bubbles and circuitry, and, when he switches the system back after drying it out, Edgar (the computer, voiced by Cort) comes strangely to life.
After a few initial doubts, Miles is fine with this and indeed comes to like it. Until cello player Madeline (Madsen) moves into the apartment upstairs.
Things begin to get out of hand when Miles falls in love with Madeline. Edgar, left alone in the apartment during the work day soon follows suit and seduces Madeline by accompanying her cello practice. Miles gets Edgar to write a love dong for Madeline, in which Edgar pours out his silicon heart. In surely the strangest love triangle ever made, Madeline believes that her wonderful musical muse is Miles, whilst we all know better. A jealous clash is brewing.
How can Miles win Madeline from a competitor she doesn't know is there? What will Edgar do next to try to get the edge over Miles?
If you haven't seen the movie, then all this probably sounds rather pitiful. And it would be, were it not for fine performances from the under-rated Lenny von Dohlen and Virginia Madsen. The emphasis here is definitely on "heart" and style and this magical urban fairytale is laced with some of the best pop music ever written for a movie. Its also very well photographed and a bit surreal in places. A bit like a long pop video, which I'm sure is what mean-spirited critics would say about it.
There are also many little details that the scriptwriters used in the movie, which pre-dates the Personal Computer era, but cleverly predicts the hassles man would have with his silicon friends. An example is when Miles mis-types his name as "moles" during an initial setup screen and Edgar, the computer, refers to him by that name for the rest of the movie! (not much has changed since in computer setup software it would seem!).
This movie has not been available in the US for years, but to buy it, you can use our search device.
Let's hope that we will get it released on DVD sometime soon.
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| | | |  I remember seeing this movie in London when it first came out, when computers were still unusual and fascinatingly big clunky boxes with built in keyboards, and when Bill Gates was still just some guy with glasses in Connecticut or somewhere.
The Commodore 64 and Vic 20 were still being sold through specialist outlets, running with their own versions of DOS and memory measured in a few K, not MB.
This movie was good on a several levels: the love story was well crafted, the soundtrack is superb (Giorgio Moroder at his best) and Virginia Madsen looked marvellous (very much alike a friend of mine years later - when I first met her, she reminded me of this movie immediately). The technology obviously dates the movie, but the ideas on how to expand the use of computers is still valid today.
If you can, catch the movie whenever it's on.
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We were thrilled when Rusty Lemorande, the Writer/Producer of the film wrote in to say he "wrote the film inspired by/based on my first year in Los Angeles when I was very lonely and only had an Apple computer to occupy my evenings. I finished the script while making Yentl in London. I met Steve Barron through the script supervisor on Yentl (who is Steve's mother). She introduced me to his videos, which I thought were very good. Steve introduced me to Richard Branson, etc. etc..." Rusty also let us in on the fact that "the dog in the film was my dog, Winston (an English dog)". -Thanks to Rusty Lemorande
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The movie was dedicated to the Univac One, which was one of the earliest supercomputers built in the 1950's, in the days when computers were only for businesses or government and were the size of several refridgerators! -Thanks to Steven HW
The storyline is very similar to Kurt Vonnegut's short story 'Epicac' - wherein a lovestruck computer programmer tells a computer about this girl he loves named Pat, then tells Epicac what love is - so of course, the computer falls in love with her. To demonstrate his ardor, Epicac writes poetry for her, something the human dude just can't do. When Epi learns that the girl can't ever love him, he self-destructs... But not until he leaves enough love poetry for Pat and her swain for the next 500 wedding anniversaries. Sound a little familiar ? When the credits dedicate the film to Univac, I sometimes wonder if they ment Epicac. -Thanks to Dorrie
Edgar, the computer was not a real computer model. He was assembled by the film makers from a pastiche of computer parts of the time. He has a DEC VT keyboard, early Apple disk drives. Someone out there will be able to identify other parts. If you can, drop us a line!
When Miles goes to the computer store, you can see the brand of the computer (Edgar), it's a Pinecone. An actual brand for its time and very pricey as well. -Thanks to Alan Rubi
In the early scene where a co-worker shows Miles his pocket computer it looks suspiciously like a Casio programmable computer (guessing a Casio PB-100 or Casio FX-700), they had a full QWERTY keyboard and a BASIC programming language.
There are a few cameo roles in this movie, notably Koo Stark (one-time girlfriend of Prince Andrew) as a soap actress, and composer Giorgio Moroder as the radio station executive at the end of the movie.
"Edgar" is voiced by Bud Cort. He can be seen in the Movie M*A*S*H, and in the cult classic, "Harold and Maude"
Maxwell Caulfield ("Grease 2", "The Supernaturals", "Empire Records") plays Virginia Madsen's co-chair cello player. -Thanks to Fremont
Fans of Red Dwarf may recognise Miles (Lenny von Dohlen) in one of the best episodes produced, season five episode one, "Back To Reality". -Thanks to Ridwan Hughes
For British raised, but American born actor von Dohlan, this role was his big chance... but he almost turned it down! Lenny recalled:
"I was researching a role for a period TV movie when the script of Electric Dreams came to me. "War Games" had just been a big success and my first reaction was that I didn't want to do another computer movie. My manager urged my to read it and at once I realized how human ELECTRIC DREAMS was. It was a film with very human emotions in which a computer played a pivotal role,"
He also said:
"Something else struck me immediately about Rusty Lemorande's script. How many movies do you see today where the characters are good to each other? Being nice and acting the way we would like to think of ourselves behaving and how life should be, just doesn't seem to make it into films these days. I adored Miles' faith in humanity. He's an idealist and that greatly appealed to me.
I really enjoyed being able to build Miles' character. I did a lot of research, reading books and visiting architectural firms. At one particular company I saw this fellow hunched over his draughting table, totally oblivious to my being there and I think, to anything else. He was wearing a bow tie and glasses. I modelled Miles mostly on him. I added 'bumbling professor' characteristics to my part and luckily the director Steve Barron and the producers agreed with what I did and thought it made Miles more interesting.
I also saw a lot of Miles in myself. I just ended a very tumultuous relationship before the start of filming. I was touched by the way Miles tried to grasp what love is and how difficult it is for him to define. Like my character I tend to submerge myself in my work without taking enough time with my personal relationships. Miles never took enough time to explore his feelings before he met Madeline and consequently was not well versed in male/female relationships, being more comfortable with his draughting table."
If the movie seems like a music video, that's because it was directed by Steve Barron, who directed many classic videos in the 80's, including: "Take On Me" by A-Ha, "Don't You Want Me?" by The Human League, "Money For Nothing" by The Dire Straits, "Billie Jean" by Michael Jackson, Several videos for Toto and Bryan Adams ...and numerous others! Electric Dreams won him Best Director at the Madrid Film Festival, and the public Prize for the best film at the Avoriaz Fantastique Film Festival in France. -Thanks to Steven HW
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| | | | The movie was partly shot on location in San Fransisco and also featured the famous Alcatraz prison island.
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|  |  |  | | Electric Dreams
Locations |
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Featured Movie Location: Miles's apartment Wanna see the real life filming location used for Miles's apartment in the movie? These scenes were actually shot at a private residence, located in San Francisco, N. California. [New! Show Google Map]
Madeline, played by Virginia Madsen, lived upstairs at 1115 in the same building.
Other SF locations include the Davies Symphony Hall on Nob Hill, the Golden Gate Bridge and Pier 39.
Despite being set in San Francisco, the film was actually shot largely in London, England (just one week in San Francisco for exterior street scenes) [Thanks to Rusty Lemorande -Writer/Producer of the film!]
The one I can recall is during a sequence where the computer is screwing around with Miles' credit cards, and his picture comes up on a security monitor at a supermarket. This was in a place called Addlestone, which got dressed to make it look American.
Another was at a place in Victoria, London. Here we filmed the part were Miles has to wrestle his plane ticket from the vending machine, and the computer store where he buys his 'Pinecone' computer. I suspect the building has long since been redeveloped (it was empty at the time). [Thanks to Guy Dawson]
Back in SF, Miles and Madeline visited Alcatraz and Pier 39 in San Francisco bay. [Thanks to Ethel]
The building where Miles works is the Transamerica Pyramid (the one which makes the San Fran skyline so unique). There's one or two establishing shots of it in the film, before it cuts to an interior scene, though you never see Miles himself actually entering the building. [Thanks to Lee John]
Can you help? Do you know any of the San Francisco, N. California filming locations used for Electric Dreams? [Please send them in]
|  | | | | | The CD contains many fabulous songs, including two from Culture Club, "Love Is Love", which is one of the best songs of 1984 and "The Dream", which is just "like Alice in Wonderland".
Also, Culture Club's some-time backing singer Helen Terry gets her own opportunity to shine under the production of Georgio Moroder, with "Now Your Mine". There are also some fine instrumental tracks on this album from Moroder, "The Chase" and "Madeline's Theme".
Another classic that Moroder produced is the worldwide #1 single "Together In Electric Dreams" sung by the Human League's Phil Oakey.
This album has been out of print more than 10 years in the U.S. Fortunately you can order it as an European Imported CD from our search device, below.
If you play "Video" from the soundtrack LP at 45rpm, it sounds EXACTLY like Cyndi Lauper. Analog or digital, play with it & find out for yourself! -Thanks to Jon A. Gibson
The movie was made and financed as an experiment by Virgin. It featured music from the pick of the Virgin record label. It surely was an early example of synegistic marketing of movies via their soundtracks. It has often been said that Virgin were burned financially on the film, which despite massive exposure from the music, didn't make as much money as was expected at the box office. The truth is that, it did show a reasonable profit and it was, in fact, later films from Virgin which made losses. Sadly, true though, is the fact that it is now one of the few titles of merit which have disappeared almost entirely without trace.
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