| | | | The January Man
(1989) |
he setting is New York on New Year's Eve.
A wealthy socialite is strangled to death in her home right as the new year begins, and more follow, occuring once a month. Mayor Eamon Flynn (Rod Steiger), under media pressure thanks to the killings, tells Comissioner Frank Starkey (Harvey Keitel) he has no choice but to reinstate the one man who is brilliant enough to find the killer: Nick Starkey (Kevin Kline), his brother.
Nick, fired by his brother due to a scandal which he took the fall for, is understandably not happy to see him. Working as a firefighter since his firing, he reluctantly accepts, knowing this is better than going into burning buildings. He agrees on one condition: that he be allowed to cook dinner for Frank's wife and Nick's ex, Christine (Susan Sarandon).
With his pal/assistant Ed (Alan Rickman) in tow, along with the mayor's daughter Bernadette (Mary Elizabeth Mastrantonio), and the constant yelling from Captain Alcoa (Danny Aiello), Nick sets out to find a pattern and crack the case. As he does, he starts to find a pattern, and will have to set a trap without the help of the NYPD and involves a personal risk he couldn't stand to lose.
Released in 1989 and quickly overshadowed by other films, "The January Man" is an odd mix of comedy and murder mystery. Written by John Patrick Shanley (of "Moonstruck" and "Joe Versus the Volcano" fame), it is believed by many that the studio changed it into a comedy, and ruined it.
However, there is an interesting film here. Just don't take it seriously.
Kevin Kline is in good form as the disgraced Nick, getting across his bitterness towards Frank and his begrudginess to help him. He is still sympathetic, while other actors would have made him an asshole.
Harvey Keitel, as Frank, does play it subdued when he should be intense, but still comes off well, especially when we get the feeling he has something to hide.
Rod Steiger yells, screams, and overacts just as Rod Steiger can, and you'll love every minute of it. In many scenes he looks like he's about three minutes away from a coronary (and in one scene, I think you can see the veins in his head throbbing)! Apparently he and Danny Aiello went to the same school (Aiello does the same schtick).
Susan Sarandon is good with the thankless role of Christine, while Mary Elizabeth Mastrantonio is merely OK as Bernadette. She just wasn't memorable.
The second-best job in this film comes from Alan Rickman as the eccentric Ed. Even when given a script as confusing in tone as this, he still gives it his all. Just watch this for evidence.
Like mentioned before, John Patrick Shanley's script is a bit confused in tone. It's not the dialogue that turns people off to the film, it's the confusion over whether it wants to be a comedy or a thriller, and it is highly believed the studio may have ordered it changed, but you may never know. There are some memorable bits, though (the scene where we meet Ed for the first time is a good example). Credit must be given to the ending, as it's very true to real life (Nick's line about the January Man sums it up).
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| | | |  If you're expecting a gripping thriller or a laugh-a-minute comedy, forget it. If you want a nice way to kill an hour and a half with a good cast and some darkly humorous chuckles, congratulations.
The confusion of tones make this a "not for everyone" movie, and knock this down to a 6.
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The film was released January 13th, 1989 and grossed $4,611,062 at the US box-office.
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| | | | Mary Elizabeth Mastrantonio met her future husband, the film's director, Pat O'Connor, while working on this project.
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|  |  |  | | The January Man
Locations |
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| | | Filming locaations: Central Park, areas around New York City, and Toronto, Ontario, Canada
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|  | | | | | Original music by Marvin Hamlisch. Can anyone help with release info?
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|  | "What a way to start the year."
| | Year:
| 1989 | Studio:
| MGM/UA | Director:
| Pat O'Connor | Starring:
| Kevin Kline,
Susan Sarandon, Mary Elizabeth Mastrantonio, Harvey Keitel, Danny Aiello,
Rod Steiger, Alan Rickman, Faye Grant | | - | - | Genre:
| Comedy | | | | + | Good cast, good performances, some memorable moments, Rod Steiger's overacting. | - | The confusion of tones, thriller one moment and comedy the next. |
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